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		<title>Uploads from escher is still alive, tagged wellingtonwood</title>
		<link>http://www.flickr.com/photos/escher1/tags/wellingtonwood/</link>
 		<description></description>
		<pubDate>Sun, 24 Jul 2011 10:45:18 -0700</pubDate>
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			<title>Uploads from escher is still alive, tagged wellingtonwood</title>
			<link>http://www.flickr.com/photos/escher1/tags/wellingtonwood/</link>
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		<item>
			<title>I n t e r c o n n e c t e d</title>
			<link>http://www.flickr.com/photos/escher1/5971072396/</link>
			<description>			&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/people/escher1/&quot;&gt;escher is still alive&lt;/a&gt; posted a photo:&lt;/p&gt;
	
&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/photos/escher1/5971072396/&quot; title=&quot;I n t e r c o n n e c t e d&quot;&gt;&lt;img src=&quot;http://farm7.staticflickr.com/6144/5971072396_fd113ec0eb_m.jpg&quot; width=&quot;240&quot; height=&quot;160&quot; alt=&quot;I n t e r c o n n e c t e d&quot; /&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;At last I got out today to make some 'proper' land art. It didn't really turn out any good but the end result is not what real land art is all about for me. I'm pretty fed up with working late every evening and having little energy for anything creative so today was an all round good day.&lt;br /&gt;
&lt;br /&gt;
Find somewhere quiet and sit down and absorb the ambience. Watch the swallows put on a aerobatic display and the tall grasses bend and flex in the summer breeze. Take time to wind down and pretty soon you become part of the landscape. Real land art means making something for yourself, not for an exhibition or to put on the internet. Look around and see the beauty and diversity around you. Delve deep into these things and see colours and structures you had not seen before. Immerse yourself in studying these things and learn a little more about what you find. With knowledge of new materials must come new ideas in which to use them in a construction. &lt;br /&gt;
&lt;br /&gt;
The inherent properties of a little understood material, will mean you will have to devise new techniques with which to construct something from them. Are they strong and robust? Will they dry and break and become brittle? As you learn about the properties and structures you must create in new and different ways. By moving away from the familiar, the formulaic and the easy path, there are opportunities to feel immersed, meditative and connected once more to nature. Sometimes the learning curve is steep and the final sculpture unsuccessful when presented in an image. But who cares when the point is the discovery, the fascination of seeing the world afresh, anew and with a child's eyes.&lt;br /&gt;
&lt;br /&gt;
I will try again with what I learnt about today and hopefully will have more success with a sculpture and image. But the tougher it is, when you are fully absorbed, is as successful as I ever want it. That's why it's been a good day. Shame it's blody work again tomorrow, late evenings weekends and more drudge! I think I need a holiday!&lt;br /&gt;
&lt;br /&gt;
This is indeed made from Birch Bark and I took a sheet of Paper Birch and carefully cut out the letters. That took many, many days of toil and as well as what you see before you I also ended up with a numb and calloused finger that is only now beginning to come back to life, several weeks after I'd finished it!&lt;br /&gt;
&lt;br /&gt;
I've been researching the colours of Birch for quite a while now and all the hues you see here are from thin sheets of Erman's, Chinese Red, Himalayan and Paper Birch bark, backlit by the sun. I'm quite astounded by the selection of colours available and how radiant they seem in natural light.&lt;br /&gt;
&lt;br /&gt;
I made this for my exhibition and took it into them yesterday. I've been searching for ways to make natural art sculptures, still only made from natural materials but that can be brought into the gallery space or be sold as original artworks. Although bringing land art indoors is missing the point somewhat, most people don't get to see ephemeral artworks in situ and even if they did do, they wouldn't catch them at the optimum moment, as I try to in my photographs.&lt;br /&gt;
&lt;br /&gt;
However, one thing I did learn about this sculpture is that, normally the photography is all part of the process. My best images are a combination of the right sculpture, the right light and the right time. The best stories I right come from that too. They all need to happen on the same day, I need to be in the groove to be inspired in the right way, to make something cool, to get a cool picture and to feel enthused in the story I write. All those things seem to flow together, when I've go my head in the right place. Each thing leads to the next and are all important components of the whole.&lt;br /&gt;
&lt;br /&gt;
What I found with this bark sculpture, that it was bloody hard to get a photo I liked. I've tried for weeks to get what I wanted but none (including these) turned out the way I wanted them too, I'm not happy with any of them at all. It seems, that without the inspiration and meditation that comes from being in a natural place, feeling it and making something based on what you find and feel there and then, leads you to perform better when it comes to the photography. Being more attuned to the elements, the movement of the sun and the best aspects of a place are only gained through that immersion. Making something over several weeks and then taking it out to photograph it just didn't seem to work for me.&lt;br /&gt;
&lt;br /&gt;
But, in a way, I think that's a good think. That this sculpture looks better in real life. After all that's what it is for, whereas the outdoor ephemeral stuff is the other way around. It just seems funny that I can't get a good picture of it, however hard I've tried. But this failure in getting a good image, has given me new insight into the inner workings of my creative process.&lt;br /&gt;
&lt;br /&gt;
So this was my first attempt to capture the magic of land art, the intensity of colour,the surprising variety of materials and the beauty of Mother Nature, encapsulated into a single art object, still without having to use anything artificial that I do not allow myself when working outside. &lt;br /&gt;
&lt;br /&gt;
I might frame it between two pieces of glass, to protect it and enable it to be displayed, perhaps backlit to show off it's colours. Whether I've been successful in creating an original land art object that someone may want to acquire I'm not so sure but if not, at the very least, it's put me onto the path where I might be able to do that in the future.&lt;br /&gt;
&lt;br /&gt;
I have more ideas for ephemeral land art that can be brought into the gallery, in a way that I've never seen before. I just need the opportunity for more gallery space to give me the kick up the bum to give them a try. &lt;br /&gt;
&lt;br /&gt;
I think I'm rambling so I'll sign off for now, I'm weary if you couldn't already tell. It's hard work sitting in the sun watching the swallows and listening to the rustling grass, I obviously need to be back at work for a rest!&lt;/p&gt;</description>
			<pubDate>Sun, 24 Jul 2011 10:45:18 -0700</pubDate>
			                        <dc:date.Taken>2011-07-24T18:45:18-08:00</dc:date.Taken>
            			<author flickr:profile="http://www.flickr.com/people/escher1/">nobody@flickr.com (escher is still alive)</author>
			<guid isPermaLink="false">tag:flickr.com,2004:/photo/5971072396</guid>
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                   type="image/jpeg"
                   height="600"
                   width="900"/>
    <media:title>I n t e r c o n n e c t e d</media:title>
    <media:description type="html">&lt;p&gt;At last I got out today to make some 'proper' land art. It didn't really turn out any good but the end result is not what real land art is all about for me. I'm pretty fed up with working late every evening and having little energy for anything creative so today was an all round good day.&lt;br /&gt;
&lt;br /&gt;
Find somewhere quiet and sit down and absorb the ambience. Watch the swallows put on a aerobatic display and the tall grasses bend and flex in the summer breeze. Take time to wind down and pretty soon you become part of the landscape. Real land art means making something for yourself, not for an exhibition or to put on the internet. Look around and see the beauty and diversity around you. Delve deep into these things and see colours and structures you had not seen before. Immerse yourself in studying these things and learn a little more about what you find. With knowledge of new materials must come new ideas in which to use them in a construction. &lt;br /&gt;
&lt;br /&gt;
The inherent properties of a little understood material, will mean you will have to devise new techniques with which to construct something from them. Are they strong and robust? Will they dry and break and become brittle? As you learn about the properties and structures you must create in new and different ways. By moving away from the familiar, the formulaic and the easy path, there are opportunities to feel immersed, meditative and connected once more to nature. Sometimes the learning curve is steep and the final sculpture unsuccessful when presented in an image. But who cares when the point is the discovery, the fascination of seeing the world afresh, anew and with a child's eyes.&lt;br /&gt;
&lt;br /&gt;
I will try again with what I learnt about today and hopefully will have more success with a sculpture and image. But the tougher it is, when you are fully absorbed, is as successful as I ever want it. That's why it's been a good day. Shame it's blody work again tomorrow, late evenings weekends and more drudge! I think I need a holiday!&lt;br /&gt;
&lt;br /&gt;
This is indeed made from Birch Bark and I took a sheet of Paper Birch and carefully cut out the letters. That took many, many days of toil and as well as what you see before you I also ended up with a numb and calloused finger that is only now beginning to come back to life, several weeks after I'd finished it!&lt;br /&gt;
&lt;br /&gt;
I've been researching the colours of Birch for quite a while now and all the hues you see here are from thin sheets of Erman's, Chinese Red, Himalayan and Paper Birch bark, backlit by the sun. I'm quite astounded by the selection of colours available and how radiant they seem in natural light.&lt;br /&gt;
&lt;br /&gt;
I made this for my exhibition and took it into them yesterday. I've been searching for ways to make natural art sculptures, still only made from natural materials but that can be brought into the gallery space or be sold as original artworks. Although bringing land art indoors is missing the point somewhat, most people don't get to see ephemeral artworks in situ and even if they did do, they wouldn't catch them at the optimum moment, as I try to in my photographs.&lt;br /&gt;
&lt;br /&gt;
However, one thing I did learn about this sculpture is that, normally the photography is all part of the process. My best images are a combination of the right sculpture, the right light and the right time. The best stories I right come from that too. They all need to happen on the same day, I need to be in the groove to be inspired in the right way, to make something cool, to get a cool picture and to feel enthused in the story I write. All those things seem to flow together, when I've go my head in the right place. Each thing leads to the next and are all important components of the whole.&lt;br /&gt;
&lt;br /&gt;
What I found with this bark sculpture, that it was bloody hard to get a photo I liked. I've tried for weeks to get what I wanted but none (including these) turned out the way I wanted them too, I'm not happy with any of them at all. It seems, that without the inspiration and meditation that comes from being in a natural place, feeling it and making something based on what you find and feel there and then, leads you to perform better when it comes to the photography. Being more attuned to the elements, the movement of the sun and the best aspects of a place are only gained through that immersion. Making something over several weeks and then taking it out to photograph it just didn't seem to work for me.&lt;br /&gt;
&lt;br /&gt;
But, in a way, I think that's a good think. That this sculpture looks better in real life. After all that's what it is for, whereas the outdoor ephemeral stuff is the other way around. It just seems funny that I can't get a good picture of it, however hard I've tried. But this failure in getting a good image, has given me new insight into the inner workings of my creative process.&lt;br /&gt;
&lt;br /&gt;
So this was my first attempt to capture the magic of land art, the intensity of colour,the surprising variety of materials and the beauty of Mother Nature, encapsulated into a single art object, still without having to use anything artificial that I do not allow myself when working outside. &lt;br /&gt;
&lt;br /&gt;
I might frame it between two pieces of glass, to protect it and enable it to be displayed, perhaps backlit to show off it's colours. Whether I've been successful in creating an original land art object that someone may want to acquire I'm not so sure but if not, at the very least, it's put me onto the path where I might be able to do that in the future.&lt;br /&gt;
&lt;br /&gt;
I have more ideas for ephemeral land art that can be brought into the gallery, in a way that I've never seen before. I just need the opportunity for more gallery space to give me the kick up the bum to give them a try. &lt;br /&gt;
&lt;br /&gt;
I think I'm rambling so I'll sign off for now, I'm weary if you couldn't already tell. It's hard work sitting in the sun watching the swallows and listening to the rustling grass, I obviously need to be back at work for a rest!&lt;/p&gt;</media:description>
    <media:thumbnail url="http://farm7.staticflickr.com/6144/5971072396_fd113ec0eb_s.jpg" height="75" width="75" />
    <media:credit role="photographer">escher is still alive</media:credit>
    <media:category scheme="urn:flickr:tags">wood summer sculpture sun colour july exhibition lancashire bark lancaster birch dogwood ephemeral landart naturalart enviro 2011 paperbirch himalayanbirch ermansbirch littledale enviroart chineseredbirch richardshilling wellingtonwood</media:category>
		</item>
		<item>
			<title>Sycamore Seed Sun</title>
			<link>http://www.flickr.com/photos/escher1/5916101240/</link>
			<description>			&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/people/escher1/&quot;&gt;escher is still alive&lt;/a&gt; posted a photo:&lt;/p&gt;
	
&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/photos/escher1/5916101240/&quot; title=&quot;Sycamore Seed Sun&quot;&gt;&lt;img src=&quot;http://farm7.staticflickr.com/6029/5916101240_a8ed756e82_m.jpg&quot; width=&quot;240&quot; height=&quot;171&quot; alt=&quot;Sycamore Seed Sun&quot; /&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;I want to post something but need to write something to go with it. I normally write about my thoughts when I created the sculpture, or something that's preoccupying me or maybe something amusing that's just happened.&lt;br /&gt;
&lt;br /&gt;
Well, I didn't make this today and can't remember much of what I was thinking when I did. Actually that's not strictly true. I remember quite clearly trying to get a photo of it all day. I knew it would be better to wait until the sun was lower but I tried anyway when the sun was high in the sky. It was very windy too and kept falling out of the tree I first put it into, shedding seeds as it did.&lt;br /&gt;
&lt;br /&gt;
I knew that the dogwood ring would begin to dry out and contract, and as it did the thorns would fall out. So I needed to get a photo quick but the wind and sun weren't playing ball. Probably I was expecting too much, the wind might drop but I haven't developed omniscience, recently, with which to control the sun. If I had I expect my land art would be absolutely brilliant but I guess (un)godly powers might be considered cheating.&lt;br /&gt;
&lt;br /&gt;
Eventually I gave up and returned later on, when the wind had dropped and dappled light lit up the undergrowth. Now everything was perfect or at least it would seem so. The light was magical and the breeze light and warming but the dogwood ring had lost some moisture and the thorns decided to drop out like needles on a Christmas tree on January 6th.&lt;br /&gt;
&lt;br /&gt;
So I spent many minutes pushing them back in, cursing and pricking myself. This eventually worked and I had the seeds arranged nicely again. I expect you'd have less success using this technique if you were trying to stop your Christmas tree from going bald.&lt;br /&gt;
&lt;br /&gt;
Once positioned and backlit all that was left was to click the shutter.&lt;br /&gt;
&lt;br /&gt;
As for anything funny happening, that would be depend on your point of view. Some may see it as an opportunity, or perhaps something threatening, but in hindsight I definitely thought it was funny.&lt;br /&gt;
&lt;br /&gt;
I've recently acquired a camper van of the Mazda Bongo variety, complete with elevating roof and electric blinds. We like to go out in it somewhere and brew up a cup of tea, simply because we can. &lt;br /&gt;
&lt;br /&gt;
We went on a trip down south and arrived after midnight near to where we wanted to be. We found a little back road, in a forest where it seemed quiet. Pulled up into a layby, elevated the roof and got ready to sleep until dawn.&lt;br /&gt;
&lt;br /&gt;
It's the great thing about owning a camper, you can just roll up and sleep wherever you like. However not worrying about where you are exactly might have unexpected consequences. &lt;br /&gt;
&lt;br /&gt;
This tiny little lane, supposedly in the middle of nowhere, suddenly turned into a highway. Car after car came past, each one slowing down as they approached our spot. &amp;quot;Just what are they gawping at?&amp;quot; We exasperately exclaimed! &amp;quot;Leave us alone, we just want to sleep!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
When we got home I typed the words 'dogging' and &amp;quot;Devon&amp;quot; into Google and retrieved the answer I was looking for. It seemed some local swingers thought we might be up for some action. We had rolled up to one such particular spot, apparently very popular with those inclined in looking for late night action.  The moral of the story is to be careful where you park up for the night, you might get more than you bargained for. Quiet remote spots are popular late at night with people other than just impromptu campers.&lt;br /&gt;
&lt;br /&gt;
For those of a sensitive disposition or anyone who is quite happy with the lack of broadness of their mind, I suggest you don't Google those words, and certainly not look at Google Images. You will definitely get more than you bargained for, you have been warned!&lt;br /&gt;
&lt;br /&gt;
As for ponderings I don't think there is much profundity present. Perturbing me this week would be the News of the World scandal, the sudden addictiveness of Twitter (don't do it unless you can handle it), and whether someone really can eat too many crisps.&lt;br /&gt;
&lt;br /&gt;
But what of email etiquette? I regularly receive emails from different people interested in land art and I always take the time to reply. I know if I had written to someone that I would be upset if I just got ignored. Often it takes time to write the replies, I go into detail about what they have asked about, answer questions or help students with projects and dissertations. It's nice that people are interested enough to write to me and I enjoy writing back to them too. But here's the rub! &lt;br /&gt;
&lt;br /&gt;
If it were me I would thank someone for taking the time to answer my questions but very rarely does this ever happen. I often respond to requests for help 'with sure what do you want to know' and never hear anything again, or write a long answer to posed questions and again hear nothing from them either. It is rare, but gratefully received, when they do reply but really that's only happened a handful of times. Am I too sensitive, is my email etiquette calibrated incorrectly? It all seems a bit strange to me.&lt;br /&gt;
&lt;br /&gt;
Over recent months I've written and emailed a number of (well known, famous and less so) UK based natural artists to express my sincere gratitude to them for the inspiration they've given me, and expressed how my life has been profoundly affected. In addition I wanted to reach out and make contact with likeminded individuals, with the hope that we could perhaps collaborate in the future. Disappointingly I haven't received a single reply.&lt;br /&gt;
&lt;br /&gt;
Perhaps they receive a great deal of mail, of the unsolicited and fan variety, and it has become a burden to reply to it all. But I feel that everyone is an individual and deserves that simple courtesy no matter how busy you are. &lt;br /&gt;
&lt;br /&gt;
I am tempted to compromise my principles when I answer questions and seldom get a reply but perhaps it is really a test of character. If I feel sad when my communications remain unanswered then I expect someone writing to me will too. It's important to resist feeling jaded as without empathy most of us are nowhere. &lt;br /&gt;
&lt;br /&gt;
I really need to get out and make some proper land art soon and when work and time allows. The words come best when making something as do funny encounters and pieces of insight. My interim ponderings are more on the morose side without the solace of creativity. Normal service should be resumed soon!&lt;/p&gt;</description>
			<pubDate>Fri, 08 Jul 2011 10:08:01 -0700</pubDate>
			                        <dc:date.Taken>2011-07-08T18:08:01-08:00</dc:date.Taken>
            			<author flickr:profile="http://www.flickr.com/people/escher1/">nobody@flickr.com (escher is still alive)</author>
			<guid isPermaLink="false">tag:flickr.com,2004:/photo/5916101240</guid>
                            <media:content url="http://farm7.staticflickr.com/6029/5916101240_a8ed756e82_b.jpg" 
                   type="image/jpeg"
                   height="643"
                   width="900"/>
    <media:title>Sycamore Seed Sun</media:title>
    <media:description type="html">&lt;p&gt;I want to post something but need to write something to go with it. I normally write about my thoughts when I created the sculpture, or something that's preoccupying me or maybe something amusing that's just happened.&lt;br /&gt;
&lt;br /&gt;
Well, I didn't make this today and can't remember much of what I was thinking when I did. Actually that's not strictly true. I remember quite clearly trying to get a photo of it all day. I knew it would be better to wait until the sun was lower but I tried anyway when the sun was high in the sky. It was very windy too and kept falling out of the tree I first put it into, shedding seeds as it did.&lt;br /&gt;
&lt;br /&gt;
I knew that the dogwood ring would begin to dry out and contract, and as it did the thorns would fall out. So I needed to get a photo quick but the wind and sun weren't playing ball. Probably I was expecting too much, the wind might drop but I haven't developed omniscience, recently, with which to control the sun. If I had I expect my land art would be absolutely brilliant but I guess (un)godly powers might be considered cheating.&lt;br /&gt;
&lt;br /&gt;
Eventually I gave up and returned later on, when the wind had dropped and dappled light lit up the undergrowth. Now everything was perfect or at least it would seem so. The light was magical and the breeze light and warming but the dogwood ring had lost some moisture and the thorns decided to drop out like needles on a Christmas tree on January 6th.&lt;br /&gt;
&lt;br /&gt;
So I spent many minutes pushing them back in, cursing and pricking myself. This eventually worked and I had the seeds arranged nicely again. I expect you'd have less success using this technique if you were trying to stop your Christmas tree from going bald.&lt;br /&gt;
&lt;br /&gt;
Once positioned and backlit all that was left was to click the shutter.&lt;br /&gt;
&lt;br /&gt;
As for anything funny happening, that would be depend on your point of view. Some may see it as an opportunity, or perhaps something threatening, but in hindsight I definitely thought it was funny.&lt;br /&gt;
&lt;br /&gt;
I've recently acquired a camper van of the Mazda Bongo variety, complete with elevating roof and electric blinds. We like to go out in it somewhere and brew up a cup of tea, simply because we can. &lt;br /&gt;
&lt;br /&gt;
We went on a trip down south and arrived after midnight near to where we wanted to be. We found a little back road, in a forest where it seemed quiet. Pulled up into a layby, elevated the roof and got ready to sleep until dawn.&lt;br /&gt;
&lt;br /&gt;
It's the great thing about owning a camper, you can just roll up and sleep wherever you like. However not worrying about where you are exactly might have unexpected consequences. &lt;br /&gt;
&lt;br /&gt;
This tiny little lane, supposedly in the middle of nowhere, suddenly turned into a highway. Car after car came past, each one slowing down as they approached our spot. &amp;quot;Just what are they gawping at?&amp;quot; We exasperately exclaimed! &amp;quot;Leave us alone, we just want to sleep!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
When we got home I typed the words 'dogging' and &amp;quot;Devon&amp;quot; into Google and retrieved the answer I was looking for. It seemed some local swingers thought we might be up for some action. We had rolled up to one such particular spot, apparently very popular with those inclined in looking for late night action.  The moral of the story is to be careful where you park up for the night, you might get more than you bargained for. Quiet remote spots are popular late at night with people other than just impromptu campers.&lt;br /&gt;
&lt;br /&gt;
For those of a sensitive disposition or anyone who is quite happy with the lack of broadness of their mind, I suggest you don't Google those words, and certainly not look at Google Images. You will definitely get more than you bargained for, you have been warned!&lt;br /&gt;
&lt;br /&gt;
As for ponderings I don't think there is much profundity present. Perturbing me this week would be the News of the World scandal, the sudden addictiveness of Twitter (don't do it unless you can handle it), and whether someone really can eat too many crisps.&lt;br /&gt;
&lt;br /&gt;
But what of email etiquette? I regularly receive emails from different people interested in land art and I always take the time to reply. I know if I had written to someone that I would be upset if I just got ignored. Often it takes time to write the replies, I go into detail about what they have asked about, answer questions or help students with projects and dissertations. It's nice that people are interested enough to write to me and I enjoy writing back to them too. But here's the rub! &lt;br /&gt;
&lt;br /&gt;
If it were me I would thank someone for taking the time to answer my questions but very rarely does this ever happen. I often respond to requests for help 'with sure what do you want to know' and never hear anything again, or write a long answer to posed questions and again hear nothing from them either. It is rare, but gratefully received, when they do reply but really that's only happened a handful of times. Am I too sensitive, is my email etiquette calibrated incorrectly? It all seems a bit strange to me.&lt;br /&gt;
&lt;br /&gt;
Over recent months I've written and emailed a number of (well known, famous and less so) UK based natural artists to express my sincere gratitude to them for the inspiration they've given me, and expressed how my life has been profoundly affected. In addition I wanted to reach out and make contact with likeminded individuals, with the hope that we could perhaps collaborate in the future. Disappointingly I haven't received a single reply.&lt;br /&gt;
&lt;br /&gt;
Perhaps they receive a great deal of mail, of the unsolicited and fan variety, and it has become a burden to reply to it all. But I feel that everyone is an individual and deserves that simple courtesy no matter how busy you are. &lt;br /&gt;
&lt;br /&gt;
I am tempted to compromise my principles when I answer questions and seldom get a reply but perhaps it is really a test of character. If I feel sad when my communications remain unanswered then I expect someone writing to me will too. It's important to resist feeling jaded as without empathy most of us are nowhere. &lt;br /&gt;
&lt;br /&gt;
I really need to get out and make some proper land art soon and when work and time allows. The words come best when making something as do funny encounters and pieces of insight. My interim ponderings are more on the morose side without the solace of creativity. Normal service should be resumed soon!&lt;/p&gt;</media:description>
    <media:thumbnail url="http://farm7.staticflickr.com/6029/5916101240_a8ed756e82_s.jpg" height="75" width="75" />
    <media:credit role="photographer">escher is still alive</media:credit>
    <media:category scheme="urn:flickr:tags">sculpture sun fern spring may seed lancashire sycamore lancaster dogwood thorns ephemeral landart naturalart enviro 2011 enviroart andygoldsworthyhomage dolphinholme richardshilling wellingtonwood</media:category>
		</item>
		<item>
			<title>Sycamore Seed Sun</title>
			<link>http://www.flickr.com/photos/escher1/5915539673/</link>
			<description>			&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/people/escher1/&quot;&gt;escher is still alive&lt;/a&gt; posted a photo:&lt;/p&gt;
	
&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/photos/escher1/5915539673/&quot; title=&quot;Sycamore Seed Sun&quot;&gt;&lt;img src=&quot;http://farm7.staticflickr.com/6026/5915539673_b704c1337c_m.jpg&quot; width=&quot;240&quot; height=&quot;160&quot; alt=&quot;Sycamore Seed Sun&quot; /&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;I want to post something but need to write something to go with it. I normally write about my thoughts when I created the sculpture, or something that's preoccupying me or maybe something amusing that's just happened.&lt;br /&gt;
&lt;br /&gt;
Well, I didn't make this today and can't remember much of what I was thinking when I did. Actually that's not strictly true. I remember quite clearly trying to get a photo of it all day. I knew it would be better to wait until the sun was lower but I tried anyway when the sun was high in the sky. It was very windy too and kept falling out of the tree I first put it into, shedding seeds as it did.&lt;br /&gt;
&lt;br /&gt;
I knew that the dogwood ring would begin to dry out and contract, and as it did the thorns would fall out. So I needed to get a photo quick but the wind and sun weren't playing ball. Probably I was expecting too much, the wind might drop but I haven't developed omniscience, recently, with which to control the sun. If I had I expect my land art would be absolutely brilliant but I guess (un)godly powers might be considered cheating.&lt;br /&gt;
&lt;br /&gt;
Eventually I gave up and returned later on, when the wind had dropped and dappled light lit up the undergrowth. Now everything was perfect or at least it would seem so. The light was magical and the breeze light and warming but the dogwood ring had lost some moisture and the thorns decided to drop out like needles on a Christmas tree on January 6th.&lt;br /&gt;
&lt;br /&gt;
So I spent many minutes pushing them back in, cursing and pricking myself. This eventually worked and I had the seeds arranged nicely again. I expect you'd have less success using this technique if you were trying to stop your Christmas tree from going bald.&lt;br /&gt;
&lt;br /&gt;
Once positioned and backlit all that was left was to click the shutter.&lt;br /&gt;
&lt;br /&gt;
As for anything funny happening, that would be depend on your point of view. Some may see it as an opportunity, or perhaps something threatening, but in hindsight I definitely thought it was funny.&lt;br /&gt;
&lt;br /&gt;
I've recently acquired a camper van of the Mazda Bongo variety, complete with elevating roof and electric blinds. We like to go out in it somewhere and brew up a cup of tea, simply because we can. &lt;br /&gt;
&lt;br /&gt;
We went on a trip down south and arrived after midnight near to where we wanted to be. We found a little back road, in a forest where it seemed quiet. Pulled up into a layby, elevated the roof and got ready to sleep until dawn.&lt;br /&gt;
&lt;br /&gt;
It's the great thing about owning a camper, you can just roll up and sleep wherever you like. However not worrying about where you are exactly might have unexpected consequences. &lt;br /&gt;
&lt;br /&gt;
This tiny little lane, supposedly in the middle of nowhere, suddenly turned into a highway. Car after car came past, each one slowing down as they approached our spot. &amp;quot;Just what are they gawping at?&amp;quot; We exasperately exclaimed! &amp;quot;Leave us alone, we just want to sleep!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
When we got home I typed the words 'dogging' and &amp;quot;Devon&amp;quot; into Google and retrieved the answer I was looking for. It seemed some local swingers thought we might be up for some action. We had rolled up to one such particular spot, apparently very popular with those inclined in looking for late night action.  The moral of the story is to be careful where you park up for the night, you might get more than you bargained for. Quiet remote spots are popular late at night with people other than just impromptu campers.&lt;br /&gt;
&lt;br /&gt;
For those of a sensitive disposition or anyone who is quite happy with the lack of broadness of their mind, I suggest you don't Google those words, and certainly not look at Google Images. You will definitely get more than you bargained for, you have been warned!&lt;br /&gt;
&lt;br /&gt;
As for ponderings I don't think there is much profundity present. Perturbing me this week would be the News of the World scandal, the sudden addictiveness of Twitter (don't do it unless you can handle it), and whether someone really can eat too many crisps.&lt;br /&gt;
&lt;br /&gt;
But what of email etiquette? I regularly receive emails from different people interested in land art and I always take the time to reply. I know if I had written to someone that I would be upset if I just got ignored. Often it takes time to write the replies, I go into detail about what they have asked about, answer questions or help students with projects and dissertations. It's nice that people are interested enough to write to me and I enjoy writing back to them too. But here's the rub! &lt;br /&gt;
&lt;br /&gt;
If it were me I would thank someone for taking the time to answer my questions but very rarely does this ever happen. I often respond to requests for help 'with sure what do you want to know' and never hear anything again, or write a long answer to posed questions and again hear nothing from them either. It is rare, but gratefully received, when they do reply but really that's only happened a handful of times. Am I too sensitive, is my email etiquette calibrated incorrectly? It all seems a bit strange to me.&lt;br /&gt;
&lt;br /&gt;
Over recent months I've written and emailed a number of (well known, famous and less so) UK based natural artists to express my sincere gratitude to them for the inspiration they've given me, and expressed how my life has been profoundly affected. In addition I wanted to reach out and make contact with likeminded individuals, with the hope that we could perhaps collaborate in the future. Disappointingly I haven't received a single reply.&lt;br /&gt;
&lt;br /&gt;
Perhaps they receive a great deal of mail, of the unsolicited and fan variety, and it has become a burden to reply to it all. But I feel that everyone is an individual and deserves that simple courtesy no matter how busy you are. &lt;br /&gt;
&lt;br /&gt;
I am tempted to compromise my principles when I answer questions and seldom get a reply but perhaps it is really a test of character. If I feel sad when my communications remain unanswered then I expect someone writing to me will too. It's important to resist feeling jaded as without empathy most of us are nowhere. &lt;br /&gt;
&lt;br /&gt;
I really need to get out and make some proper land art soon and when work and time allows. The words come best when making something as do funny encounters and pieces of insight. My interim ponderings are more on the morose side without the solace of creativity. Normal service should be resumed soon!&lt;/p&gt;</description>
			<pubDate>Fri, 08 Jul 2011 10:07:57 -0700</pubDate>
			                        <dc:date.Taken>2011-07-08T18:07:57-08:00</dc:date.Taken>
            			<author flickr:profile="http://www.flickr.com/people/escher1/">nobody@flickr.com (escher is still alive)</author>
			<guid isPermaLink="false">tag:flickr.com,2004:/photo/5915539673</guid>
                            <media:content url="http://farm7.staticflickr.com/6026/5915539673_b704c1337c_b.jpg" 
                   type="image/jpeg"
                   height="600"
                   width="900"/>
    <media:title>Sycamore Seed Sun</media:title>
    <media:description type="html">&lt;p&gt;I want to post something but need to write something to go with it. I normally write about my thoughts when I created the sculpture, or something that's preoccupying me or maybe something amusing that's just happened.&lt;br /&gt;
&lt;br /&gt;
Well, I didn't make this today and can't remember much of what I was thinking when I did. Actually that's not strictly true. I remember quite clearly trying to get a photo of it all day. I knew it would be better to wait until the sun was lower but I tried anyway when the sun was high in the sky. It was very windy too and kept falling out of the tree I first put it into, shedding seeds as it did.&lt;br /&gt;
&lt;br /&gt;
I knew that the dogwood ring would begin to dry out and contract, and as it did the thorns would fall out. So I needed to get a photo quick but the wind and sun weren't playing ball. Probably I was expecting too much, the wind might drop but I haven't developed omniscience, recently, with which to control the sun. If I had I expect my land art would be absolutely brilliant but I guess (un)godly powers might be considered cheating.&lt;br /&gt;
&lt;br /&gt;
Eventually I gave up and returned later on, when the wind had dropped and dappled light lit up the undergrowth. Now everything was perfect or at least it would seem so. The light was magical and the breeze light and warming but the dogwood ring had lost some moisture and the thorns decided to drop out like needles on a Christmas tree on January 6th.&lt;br /&gt;
&lt;br /&gt;
So I spent many minutes pushing them back in, cursing and pricking myself. This eventually worked and I had the seeds arranged nicely again. I expect you'd have less success using this technique if you were trying to stop your Christmas tree from going bald.&lt;br /&gt;
&lt;br /&gt;
Once positioned and backlit all that was left was to click the shutter.&lt;br /&gt;
&lt;br /&gt;
As for anything funny happening, that would be depend on your point of view. Some may see it as an opportunity, or perhaps something threatening, but in hindsight I definitely thought it was funny.&lt;br /&gt;
&lt;br /&gt;
I've recently acquired a camper van of the Mazda Bongo variety, complete with elevating roof and electric blinds. We like to go out in it somewhere and brew up a cup of tea, simply because we can. &lt;br /&gt;
&lt;br /&gt;
We went on a trip down south and arrived after midnight near to where we wanted to be. We found a little back road, in a forest where it seemed quiet. Pulled up into a layby, elevated the roof and got ready to sleep until dawn.&lt;br /&gt;
&lt;br /&gt;
It's the great thing about owning a camper, you can just roll up and sleep wherever you like. However not worrying about where you are exactly might have unexpected consequences. &lt;br /&gt;
&lt;br /&gt;
This tiny little lane, supposedly in the middle of nowhere, suddenly turned into a highway. Car after car came past, each one slowing down as they approached our spot. &amp;quot;Just what are they gawping at?&amp;quot; We exasperately exclaimed! &amp;quot;Leave us alone, we just want to sleep!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
When we got home I typed the words 'dogging' and &amp;quot;Devon&amp;quot; into Google and retrieved the answer I was looking for. It seemed some local swingers thought we might be up for some action. We had rolled up to one such particular spot, apparently very popular with those inclined in looking for late night action.  The moral of the story is to be careful where you park up for the night, you might get more than you bargained for. Quiet remote spots are popular late at night with people other than just impromptu campers.&lt;br /&gt;
&lt;br /&gt;
For those of a sensitive disposition or anyone who is quite happy with the lack of broadness of their mind, I suggest you don't Google those words, and certainly not look at Google Images. You will definitely get more than you bargained for, you have been warned!&lt;br /&gt;
&lt;br /&gt;
As for ponderings I don't think there is much profundity present. Perturbing me this week would be the News of the World scandal, the sudden addictiveness of Twitter (don't do it unless you can handle it), and whether someone really can eat too many crisps.&lt;br /&gt;
&lt;br /&gt;
But what of email etiquette? I regularly receive emails from different people interested in land art and I always take the time to reply. I know if I had written to someone that I would be upset if I just got ignored. Often it takes time to write the replies, I go into detail about what they have asked about, answer questions or help students with projects and dissertations. It's nice that people are interested enough to write to me and I enjoy writing back to them too. But here's the rub! &lt;br /&gt;
&lt;br /&gt;
If it were me I would thank someone for taking the time to answer my questions but very rarely does this ever happen. I often respond to requests for help 'with sure what do you want to know' and never hear anything again, or write a long answer to posed questions and again hear nothing from them either. It is rare, but gratefully received, when they do reply but really that's only happened a handful of times. Am I too sensitive, is my email etiquette calibrated incorrectly? It all seems a bit strange to me.&lt;br /&gt;
&lt;br /&gt;
Over recent months I've written and emailed a number of (well known, famous and less so) UK based natural artists to express my sincere gratitude to them for the inspiration they've given me, and expressed how my life has been profoundly affected. In addition I wanted to reach out and make contact with likeminded individuals, with the hope that we could perhaps collaborate in the future. Disappointingly I haven't received a single reply.&lt;br /&gt;
&lt;br /&gt;
Perhaps they receive a great deal of mail, of the unsolicited and fan variety, and it has become a burden to reply to it all. But I feel that everyone is an individual and deserves that simple courtesy no matter how busy you are. &lt;br /&gt;
&lt;br /&gt;
I am tempted to compromise my principles when I answer questions and seldom get a reply but perhaps it is really a test of character. If I feel sad when my communications remain unanswered then I expect someone writing to me will too. It's important to resist feeling jaded as without empathy most of us are nowhere. &lt;br /&gt;
&lt;br /&gt;
I really need to get out and make some proper land art soon and when work and time allows. The words come best when making something as do funny encounters and pieces of insight. My interim ponderings are more on the morose side without the solace of creativity. Normal service should be resumed soon!&lt;/p&gt;</media:description>
    <media:thumbnail url="http://farm7.staticflickr.com/6026/5915539673_b704c1337c_s.jpg" height="75" width="75" />
    <media:credit role="photographer">escher is still alive</media:credit>
    <media:category scheme="urn:flickr:tags">sculpture sun fern spring may seed lancashire sycamore lancaster dogwood thorns ephemeral landart naturalart enviro 2011 enviroart andygoldsworthyhomage dolphinholme richardshilling wellingtonwood</media:category>
		</item>
		<item>
			<title>Sycamore Seed Sun</title>
			<link>http://www.flickr.com/photos/escher1/5915539467/</link>
			<description>			&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/people/escher1/&quot;&gt;escher is still alive&lt;/a&gt; posted a photo:&lt;/p&gt;
	
&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/photos/escher1/5915539467/&quot; title=&quot;Sycamore Seed Sun&quot;&gt;&lt;img src=&quot;http://farm7.staticflickr.com/6014/5915539467_c530ffc9aa_m.jpg&quot; width=&quot;240&quot; height=&quot;160&quot; alt=&quot;Sycamore Seed Sun&quot; /&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;I want to post something but need to write something to go with it. I normally write about my thoughts when I created the sculpture, or something that's preoccupying me or maybe something amusing that's just happened.&lt;br /&gt;
&lt;br /&gt;
Well, I didn't make this today and can't remember much of what I was thinking when I did. Actually that's not strictly true. I remember quite clearly trying to get a photo of it all day. I knew it would be better to wait until the sun was lower but I tried anyway when the sun was high in the sky. It was very windy too and kept falling out of the tree I first put it into, shedding seeds as it did.&lt;br /&gt;
&lt;br /&gt;
I knew that the dogwood ring would begin to dry out and contract, and as it did the thorns would fall out. So I needed to get a photo quick but the wind and sun weren't playing ball. Probably I was expecting too much, the wind might drop but I haven't developed omniscience, recently, with which to control the sun. If I had I expect my land art would be absolutely brilliant but I guess (un)godly powers might be considered cheating.&lt;br /&gt;
&lt;br /&gt;
Eventually I gave up and returned later on, when the wind had dropped and dappled light lit up the undergrowth. Now everything was perfect or at least it would seem so. The light was magical and the breeze light and warming but the dogwood ring had lost some moisture and the thorns decided to drop out like needles on a Christmas tree on January 6th.&lt;br /&gt;
&lt;br /&gt;
So I spent many minutes pushing them back in, cursing and pricking myself. This eventually worked and I had the seeds arranged nicely again. I expect you'd have less success using this technique if you were trying to stop your Christmas tree from going bald.&lt;br /&gt;
&lt;br /&gt;
Once positioned and backlit all that was left was to click the shutter.&lt;br /&gt;
&lt;br /&gt;
As for anything funny happening, that would be depend on your point of view. Some may see it as an opportunity, or perhaps something threatening, but in hindsight I definitely thought it was funny.&lt;br /&gt;
&lt;br /&gt;
I've recently acquired a camper van of the Mazda Bongo variety, complete with elevating roof and electric blinds. We like to go out in it somewhere and brew up a cup of tea, simply because we can. &lt;br /&gt;
&lt;br /&gt;
We went on a trip down south and arrived after midnight near to where we wanted to be. We found a little back road, in a forest where it seemed quiet. Pulled up into a layby, elevated the roof and got ready to sleep until dawn.&lt;br /&gt;
&lt;br /&gt;
It's the great thing about owning a camper, you can just roll up and sleep wherever you like. However not worrying about where you are exactly might have unexpected consequences. &lt;br /&gt;
&lt;br /&gt;
This tiny little lane, supposedly in the middle of nowhere, suddenly turned into a highway. Car after car came past, each one slowing down as they approached our spot. &amp;quot;Just what are they gawping at?&amp;quot; We exasperately exclaimed! &amp;quot;Leave us alone, we just want to sleep!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
When we got home I typed the words 'dogging' and &amp;quot;Devon&amp;quot; into Google and retrieved the answer I was looking for. It seemed some local swingers thought we might be up for some action. We had rolled up to one such particular spot, apparently very popular with those inclined in looking for late night action.  The moral of the story is to be careful where you park up for the night, you might get more than you bargained for. Quiet remote spots are popular late at night with people other than just impromptu campers.&lt;br /&gt;
&lt;br /&gt;
For those of a sensitive disposition or anyone who is quite happy with the lack of broadness of their mind, I suggest you don't Google those words, and certainly not look at Google Images. You will definitely get more than you bargained for, you have been warned!&lt;br /&gt;
&lt;br /&gt;
As for ponderings I don't think there is much profundity present. Perturbing me this week would be the News of the World scandal, the sudden addictiveness of Twitter (don't do it unless you can handle it), and whether someone really can eat too many crisps.&lt;br /&gt;
&lt;br /&gt;
But what of email etiquette? I regularly receive emails from different people interested in land art and I always take the time to reply. I know if I had written to someone that I would be upset if I just got ignored. Often it takes time to write the replies, I go into detail about what they have asked about, answer questions or help students with projects and dissertations. It's nice that people are interested enough to write to me and I enjoy writing back to them too. But here's the rub! &lt;br /&gt;
&lt;br /&gt;
If it were me I would thank someone for taking the time to answer my questions but very rarely does this ever happen. I often respond to requests for help 'with sure what do you want to know' and never hear anything again, or write a long answer to posed questions and again hear nothing from them either. It is rare, but gratefully received, when they do reply but really that's only happened a handful of times. Am I too sensitive, is my email etiquette calibrated incorrectly? It all seems a bit strange to me.&lt;br /&gt;
&lt;br /&gt;
Over recent months I've written and emailed a number of (well known, famous and less so) UK based natural artists to express my sincere gratitude to them for the inspiration they've given me, and expressed how my life has been profoundly affected. In addition I wanted to reach out and make contact with likeminded individuals, with the hope that we could perhaps collaborate in the future. Disappointingly I haven't received a single reply.&lt;br /&gt;
&lt;br /&gt;
Perhaps they receive a great deal of mail, of the unsolicited and fan variety, and it has become a burden to reply to it all. But I feel that everyone is an individual and deserves that simple courtesy no matter how busy you are. &lt;br /&gt;
&lt;br /&gt;
I am tempted to compromise my principles when I answer questions and seldom get a reply but perhaps it is really a test of character. If I feel sad when my communications remain unanswered then I expect someone writing to me will too. It's important to resist feeling jaded as without empathy most of us are nowhere. &lt;br /&gt;
&lt;br /&gt;
I really need to get out and make some proper land art soon and when work and time allows. The words come best when making something as do funny encounters and pieces of insight. My interim ponderings are more on the morose side without the solace of creativity. Normal service should be resumed soon!&lt;/p&gt;</description>
			<pubDate>Fri, 08 Jul 2011 10:07:52 -0700</pubDate>
			                        <dc:date.Taken>2011-07-08T18:07:52-08:00</dc:date.Taken>
            			<author flickr:profile="http://www.flickr.com/people/escher1/">nobody@flickr.com (escher is still alive)</author>
			<guid isPermaLink="false">tag:flickr.com,2004:/photo/5915539467</guid>
                            <media:content url="http://farm7.staticflickr.com/6014/5915539467_c530ffc9aa_b.jpg" 
                   type="image/jpeg"
                   height="600"
                   width="900"/>
    <media:title>Sycamore Seed Sun</media:title>
    <media:description type="html">&lt;p&gt;I want to post something but need to write something to go with it. I normally write about my thoughts when I created the sculpture, or something that's preoccupying me or maybe something amusing that's just happened.&lt;br /&gt;
&lt;br /&gt;
Well, I didn't make this today and can't remember much of what I was thinking when I did. Actually that's not strictly true. I remember quite clearly trying to get a photo of it all day. I knew it would be better to wait until the sun was lower but I tried anyway when the sun was high in the sky. It was very windy too and kept falling out of the tree I first put it into, shedding seeds as it did.&lt;br /&gt;
&lt;br /&gt;
I knew that the dogwood ring would begin to dry out and contract, and as it did the thorns would fall out. So I needed to get a photo quick but the wind and sun weren't playing ball. Probably I was expecting too much, the wind might drop but I haven't developed omniscience, recently, with which to control the sun. If I had I expect my land art would be absolutely brilliant but I guess (un)godly powers might be considered cheating.&lt;br /&gt;
&lt;br /&gt;
Eventually I gave up and returned later on, when the wind had dropped and dappled light lit up the undergrowth. Now everything was perfect or at least it would seem so. The light was magical and the breeze light and warming but the dogwood ring had lost some moisture and the thorns decided to drop out like needles on a Christmas tree on January 6th.&lt;br /&gt;
&lt;br /&gt;
So I spent many minutes pushing them back in, cursing and pricking myself. This eventually worked and I had the seeds arranged nicely again. I expect you'd have less success using this technique if you were trying to stop your Christmas tree from going bald.&lt;br /&gt;
&lt;br /&gt;
Once positioned and backlit all that was left was to click the shutter.&lt;br /&gt;
&lt;br /&gt;
As for anything funny happening, that would be depend on your point of view. Some may see it as an opportunity, or perhaps something threatening, but in hindsight I definitely thought it was funny.&lt;br /&gt;
&lt;br /&gt;
I've recently acquired a camper van of the Mazda Bongo variety, complete with elevating roof and electric blinds. We like to go out in it somewhere and brew up a cup of tea, simply because we can. &lt;br /&gt;
&lt;br /&gt;
We went on a trip down south and arrived after midnight near to where we wanted to be. We found a little back road, in a forest where it seemed quiet. Pulled up into a layby, elevated the roof and got ready to sleep until dawn.&lt;br /&gt;
&lt;br /&gt;
It's the great thing about owning a camper, you can just roll up and sleep wherever you like. However not worrying about where you are exactly might have unexpected consequences. &lt;br /&gt;
&lt;br /&gt;
This tiny little lane, supposedly in the middle of nowhere, suddenly turned into a highway. Car after car came past, each one slowing down as they approached our spot. &amp;quot;Just what are they gawping at?&amp;quot; We exasperately exclaimed! &amp;quot;Leave us alone, we just want to sleep!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
When we got home I typed the words 'dogging' and &amp;quot;Devon&amp;quot; into Google and retrieved the answer I was looking for. It seemed some local swingers thought we might be up for some action. We had rolled up to one such particular spot, apparently very popular with those inclined in looking for late night action.  The moral of the story is to be careful where you park up for the night, you might get more than you bargained for. Quiet remote spots are popular late at night with people other than just impromptu campers.&lt;br /&gt;
&lt;br /&gt;
For those of a sensitive disposition or anyone who is quite happy with the lack of broadness of their mind, I suggest you don't Google those words, and certainly not look at Google Images. You will definitely get more than you bargained for, you have been warned!&lt;br /&gt;
&lt;br /&gt;
As for ponderings I don't think there is much profundity present. Perturbing me this week would be the News of the World scandal, the sudden addictiveness of Twitter (don't do it unless you can handle it), and whether someone really can eat too many crisps.&lt;br /&gt;
&lt;br /&gt;
But what of email etiquette? I regularly receive emails from different people interested in land art and I always take the time to reply. I know if I had written to someone that I would be upset if I just got ignored. Often it takes time to write the replies, I go into detail about what they have asked about, answer questions or help students with projects and dissertations. It's nice that people are interested enough to write to me and I enjoy writing back to them too. But here's the rub! &lt;br /&gt;
&lt;br /&gt;
If it were me I would thank someone for taking the time to answer my questions but very rarely does this ever happen. I often respond to requests for help 'with sure what do you want to know' and never hear anything again, or write a long answer to posed questions and again hear nothing from them either. It is rare, but gratefully received, when they do reply but really that's only happened a handful of times. Am I too sensitive, is my email etiquette calibrated incorrectly? It all seems a bit strange to me.&lt;br /&gt;
&lt;br /&gt;
Over recent months I've written and emailed a number of (well known, famous and less so) UK based natural artists to express my sincere gratitude to them for the inspiration they've given me, and expressed how my life has been profoundly affected. In addition I wanted to reach out and make contact with likeminded individuals, with the hope that we could perhaps collaborate in the future. Disappointingly I haven't received a single reply.&lt;br /&gt;
&lt;br /&gt;
Perhaps they receive a great deal of mail, of the unsolicited and fan variety, and it has become a burden to reply to it all. But I feel that everyone is an individual and deserves that simple courtesy no matter how busy you are. &lt;br /&gt;
&lt;br /&gt;
I am tempted to compromise my principles when I answer questions and seldom get a reply but perhaps it is really a test of character. If I feel sad when my communications remain unanswered then I expect someone writing to me will too. It's important to resist feeling jaded as without empathy most of us are nowhere. &lt;br /&gt;
&lt;br /&gt;
I really need to get out and make some proper land art soon and when work and time allows. The words come best when making something as do funny encounters and pieces of insight. My interim ponderings are more on the morose side without the solace of creativity. Normal service should be resumed soon!&lt;/p&gt;</media:description>
    <media:thumbnail url="http://farm7.staticflickr.com/6014/5915539467_c530ffc9aa_s.jpg" height="75" width="75" />
    <media:credit role="photographer">escher is still alive</media:credit>
    <media:category scheme="urn:flickr:tags">sculpture sun fern spring may seed lancashire sycamore lancaster dogwood thorns ephemeral landart naturalart enviro 2011 enviroart andygoldsworthyhomage dolphinholme richardshilling wellingtonwood</media:category>
		</item>
		<item>
			<title>I n t e r c o n n e c t e d</title>
			<link>http://www.flickr.com/photos/escher1/5971071644/</link>
			<description>			&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/people/escher1/&quot;&gt;escher is still alive&lt;/a&gt; posted a photo:&lt;/p&gt;
	
&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/photos/escher1/5971071644/&quot; title=&quot;I n t e r c o n n e c t e d&quot;&gt;&lt;img src=&quot;http://farm7.staticflickr.com/6013/5971071644_d8334e839d_m.jpg&quot; width=&quot;240&quot; height=&quot;160&quot; alt=&quot;I n t e r c o n n e c t e d&quot; /&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;At last I got out today to make some 'proper' land art. It didn't really turn out any good but the end result is not what real land art is all about for me. I'm pretty fed up with working late every evening and having little energy for anything creative so today was an all round good day.&lt;br /&gt;
&lt;br /&gt;
Find somewhere quiet and sit down and absorb the ambience. Watch the swallows put on a aerobatic display and the tall grasses bend and flex in the summer breeze. Take time to wind down and pretty soon you become part of the landscape. Real land art means making something for yourself, not for an exhibition or to put on the internet. Look around and see the beauty and diversity around you. Delve deep into these things and see colours and structures you had not seen before. Immerse yourself in studying these things and learn a little more about what you find. With knowledge of new materials must come new ideas in which to use them in a construction. &lt;br /&gt;
&lt;br /&gt;
The inherent properties of a little understood material, will mean you will have to devise new techniques with which to construct something from them. Are they strong and robust? Will they dry and break and become brittle? As you learn about the properties and structures you must create in new and different ways. By moving away from the familiar, the formulaic and the easy path, there are opportunities to feel immersed, meditative and connected once more to nature. Sometimes the learning curve is steep and the final sculpture unsuccessful when presented in an image. But who cares when the point is the discovery, the fascination of seeing the world afresh, anew and with a child's eyes.&lt;br /&gt;
&lt;br /&gt;
I will try again with what I learnt about today and hopefully will have more success with a sculpture and image. But the tougher it is, when you are fully absorbed, is as successful as I ever want it. That's why it's been a good day. Shame it's blody work again tomorrow, late evenings weekends and more drudge! I think I need a holiday!&lt;br /&gt;
&lt;br /&gt;
This is indeed made from Birch Bark and I took a sheet of Paper Birch and carefully cut out the letters. That took many, many days of toil and as well as what you see before you I also ended up with a numb and calloused finger that is only now beginning to come back to life, several weeks after I'd finished it!&lt;br /&gt;
&lt;br /&gt;
I've been researching the colours of Birch for quite a while now and all the hues you see here are from thin sheets of Erman's, Chinese Red, Himalayan and Paper Birch bark, backlit by the sun. I'm quite astounded by the selection of colours available and how radiant they seem in natural light.&lt;br /&gt;
&lt;br /&gt;
I made this for my exhibition and took it into them yesterday. I've been searching for ways to make natural art sculptures, still only made from natural materials but that can be brought into the gallery space or be sold as original artworks. Although bringing land art indoors is missing the point somewhat, most people don't get to see ephemeral artworks in situ and even if they did do, they wouldn't catch them at the optimum moment, as I try to in my photographs.&lt;br /&gt;
&lt;br /&gt;
However, one thing I did learn about this sculpture is that, normally the photography is all part of the process. My best images are a combination of the right sculpture, the right light and the right time. The best stories I right come from that too. They all need to happen on the same day, I need to be in the groove to be inspired in the right way, to make something cool, to get a cool picture and to feel enthused in the story I write. All those things seem to flow together, when I've go my head in the right place. Each thing leads to the next and are all important components of the whole.&lt;br /&gt;
&lt;br /&gt;
What I found with this bark sculpture, that it was bloody hard to get a photo I liked. I've tried for weeks to get what I wanted but none (including these) turned out the way I wanted them too, I'm not happy with any of them at all. It seems, that without the inspiration and meditation that comes from being in a natural place, feeling it and making something based on what you find and feel there and then, leads you to perform better when it comes to the photography. Being more attuned to the elements, the movement of the sun and the best aspects of a place are only gained through that immersion. Making something over several weeks and then taking it out to photograph it just didn't seem to work for me.&lt;br /&gt;
&lt;br /&gt;
But, in a way, I think that's a good think. That this sculpture looks better in real life. After all that's what it is for, whereas the outdoor ephemeral stuff is the other way around. It just seems funny that I can't get a good picture of it, however hard I've tried. But this failure in getting a good image, has given me new insight into the inner workings of my creative process.&lt;br /&gt;
&lt;br /&gt;
So this was my first attempt to capture the magic of land art, the intensity of colour,the surprising variety of materials and the beauty of Mother Nature, encapsulated into a single art object, still without having to use anything artificial that I do not allow myself when working outside. &lt;br /&gt;
&lt;br /&gt;
I might frame it between two pieces of glass, to protect it and enable it to be displayed, perhaps backlit to show off it's colours. Whether I've been successful in creating an original land art object that someone may want to acquire I'm not so sure but if not, at the very least, it's put me onto the path where I might be able to do that in the future.&lt;br /&gt;
&lt;br /&gt;
I have more ideas for ephemeral land art that can be brought into the gallery, in a way that I've never seen before. I just need the opportunity for more gallery space to give me the kick up the bum to give them a try. &lt;br /&gt;
&lt;br /&gt;
I think I'm rambling so I'll sign off for now, I'm weary if you couldn't already tell. It's hard work sitting in the sun watching the swallows and listening to the rustling grass, I obviously need to be back at work for a rest!&lt;/p&gt;</description>
			<pubDate>Sun, 24 Jul 2011 10:45:04 -0700</pubDate>
			                        <dc:date.Taken>2011-07-24T18:45:04-08:00</dc:date.Taken>
            			<author flickr:profile="http://www.flickr.com/people/escher1/">nobody@flickr.com (escher is still alive)</author>
			<guid isPermaLink="false">tag:flickr.com,2004:/photo/5971071644</guid>
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                   type="image/jpeg"
                   height="600"
                   width="900"/>
    <media:title>I n t e r c o n n e c t e d</media:title>
    <media:description type="html">&lt;p&gt;At last I got out today to make some 'proper' land art. It didn't really turn out any good but the end result is not what real land art is all about for me. I'm pretty fed up with working late every evening and having little energy for anything creative so today was an all round good day.&lt;br /&gt;
&lt;br /&gt;
Find somewhere quiet and sit down and absorb the ambience. Watch the swallows put on a aerobatic display and the tall grasses bend and flex in the summer breeze. Take time to wind down and pretty soon you become part of the landscape. Real land art means making something for yourself, not for an exhibition or to put on the internet. Look around and see the beauty and diversity around you. Delve deep into these things and see colours and structures you had not seen before. Immerse yourself in studying these things and learn a little more about what you find. With knowledge of new materials must come new ideas in which to use them in a construction. &lt;br /&gt;
&lt;br /&gt;
The inherent properties of a little understood material, will mean you will have to devise new techniques with which to construct something from them. Are they strong and robust? Will they dry and break and become brittle? As you learn about the properties and structures you must create in new and different ways. By moving away from the familiar, the formulaic and the easy path, there are opportunities to feel immersed, meditative and connected once more to nature. Sometimes the learning curve is steep and the final sculpture unsuccessful when presented in an image. But who cares when the point is the discovery, the fascination of seeing the world afresh, anew and with a child's eyes.&lt;br /&gt;
&lt;br /&gt;
I will try again with what I learnt about today and hopefully will have more success with a sculpture and image. But the tougher it is, when you are fully absorbed, is as successful as I ever want it. That's why it's been a good day. Shame it's blody work again tomorrow, late evenings weekends and more drudge! I think I need a holiday!&lt;br /&gt;
&lt;br /&gt;
This is indeed made from Birch Bark and I took a sheet of Paper Birch and carefully cut out the letters. That took many, many days of toil and as well as what you see before you I also ended up with a numb and calloused finger that is only now beginning to come back to life, several weeks after I'd finished it!&lt;br /&gt;
&lt;br /&gt;
I've been researching the colours of Birch for quite a while now and all the hues you see here are from thin sheets of Erman's, Chinese Red, Himalayan and Paper Birch bark, backlit by the sun. I'm quite astounded by the selection of colours available and how radiant they seem in natural light.&lt;br /&gt;
&lt;br /&gt;
I made this for my exhibition and took it into them yesterday. I've been searching for ways to make natural art sculptures, still only made from natural materials but that can be brought into the gallery space or be sold as original artworks. Although bringing land art indoors is missing the point somewhat, most people don't get to see ephemeral artworks in situ and even if they did do, they wouldn't catch them at the optimum moment, as I try to in my photographs.&lt;br /&gt;
&lt;br /&gt;
However, one thing I did learn about this sculpture is that, normally the photography is all part of the process. My best images are a combination of the right sculpture, the right light and the right time. The best stories I right come from that too. They all need to happen on the same day, I need to be in the groove to be inspired in the right way, to make something cool, to get a cool picture and to feel enthused in the story I write. All those things seem to flow together, when I've go my head in the right place. Each thing leads to the next and are all important components of the whole.&lt;br /&gt;
&lt;br /&gt;
What I found with this bark sculpture, that it was bloody hard to get a photo I liked. I've tried for weeks to get what I wanted but none (including these) turned out the way I wanted them too, I'm not happy with any of them at all. It seems, that without the inspiration and meditation that comes from being in a natural place, feeling it and making something based on what you find and feel there and then, leads you to perform better when it comes to the photography. Being more attuned to the elements, the movement of the sun and the best aspects of a place are only gained through that immersion. Making something over several weeks and then taking it out to photograph it just didn't seem to work for me.&lt;br /&gt;
&lt;br /&gt;
But, in a way, I think that's a good think. That this sculpture looks better in real life. After all that's what it is for, whereas the outdoor ephemeral stuff is the other way around. It just seems funny that I can't get a good picture of it, however hard I've tried. But this failure in getting a good image, has given me new insight into the inner workings of my creative process.&lt;br /&gt;
&lt;br /&gt;
So this was my first attempt to capture the magic of land art, the intensity of colour,the surprising variety of materials and the beauty of Mother Nature, encapsulated into a single art object, still without having to use anything artificial that I do not allow myself when working outside. &lt;br /&gt;
&lt;br /&gt;
I might frame it between two pieces of glass, to protect it and enable it to be displayed, perhaps backlit to show off it's colours. Whether I've been successful in creating an original land art object that someone may want to acquire I'm not so sure but if not, at the very least, it's put me onto the path where I might be able to do that in the future.&lt;br /&gt;
&lt;br /&gt;
I have more ideas for ephemeral land art that can be brought into the gallery, in a way that I've never seen before. I just need the opportunity for more gallery space to give me the kick up the bum to give them a try. &lt;br /&gt;
&lt;br /&gt;
I think I'm rambling so I'll sign off for now, I'm weary if you couldn't already tell. It's hard work sitting in the sun watching the swallows and listening to the rustling grass, I obviously need to be back at work for a rest!&lt;/p&gt;</media:description>
    <media:thumbnail url="http://farm7.staticflickr.com/6013/5971071644_d8334e839d_s.jpg" height="75" width="75" />
    <media:credit role="photographer">escher is still alive</media:credit>
    <media:category scheme="urn:flickr:tags">wood summer sculpture sun colour july exhibition lancashire bark lancaster birch dogwood ephemeral landart naturalart enviro 2011 paperbirch himalayanbirch ermansbirch littledale enviroart chineseredbirch richardshilling wellingtonwood</media:category>
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