<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0"
	    xmlns:media="http://search.yahoo.com/mrss/"
	    xmlns:dc="http://purl.org/dc/elements/1.1/"
	    xmlns:creativeCommons="http://cyber.law.harvard.edu/rss/creativeCommonsRssModule.html"
	    	    xmlns:flickr="urn:flickr:user" >
	<channel>


		<title>Uploads from LSE Library, tagged advertising</title>
		<link>http://www.flickr.com/photos/lselibrary/tags/advertising/</link>
 		<description></description>
		<pubDate>Thu, 09 Feb 2012 06:50:43 -0800</pubDate>
		<lastBuildDate>Thu, 09 Feb 2012 06:50:43 -0800</lastBuildDate>
		<generator>http://www.flickr.com/</generator>
		<image>
			<url>http://farm4.staticflickr.com/3369/buddyicons/35128489@N07.jpg?1234775741#35128489@N07</url>
			<title>Uploads from LSE Library, tagged advertising</title>
			<link>http://www.flickr.com/photos/lselibrary/tags/advertising/</link>
		</image>

		<item>
			<title>London Boardmen</title>
			<link>http://www.flickr.com/photos/lselibrary/6846616533/</link>
			<description>			&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/people/lselibrary/&quot;&gt;LSE Library&lt;/a&gt; posted a photo:&lt;/p&gt;
	
&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/photos/lselibrary/6846616533/&quot; title=&quot;London Boardmen&quot;&gt;&lt;img src=&quot;http://farm8.staticflickr.com/7037/6846616533_ec56b2a8be_m.jpg&quot; width=&quot;176&quot; height=&quot;240&quot; alt=&quot;London Boardmen&quot; /&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;From 'Street Life in London', 1877, by John Thomson and Adolphe Smith:&lt;br /&gt;
&lt;br /&gt;
“I had, for instance, an occasion of discussing with two boardmen who seemed worthy of a better position. The first had been trained as a smith, and engaged in the making of iron bedsteads. Now, however, smiths are no longer employed for this sort of work. It has been found more expedient and economical to make bedsteads with cast iron, and this change in the mode of manufacture threw many men out of employment, and notably my informant, who gradually sank to that state of misery when street life becomes the only means of existence. The other board man with whom I conversed was an old soldier, and had served nine years in the East Indies. He had shared in many glorious engagements, and was proud to relate that he had fought in Major-General Havelock's division at the relief of Lucknow. Probably his position in life would have been secured had he only received a good education; but he was not well enough read to occupy the post or undertake the business his friends were willing to offer him. He consequently dwindled down till he reached that point in life when anything that brings a few pence is heartily welcome. But the old soldier has still retained considerable energy. He is not content with carrying the boards during the day, but also seeks to make use of his evenings. He has, fortunately, often obtained a shilling a night at the Globe Theatre where he appeared as a supernumerary.”&lt;br /&gt;
&lt;br /&gt;
For the full story, and other photographs and commentaries, follow this link and click through to the PDF file at the bottom of the description&lt;br /&gt;
&lt;a href=&quot;http://archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&amp;amp;id=SR+1146&quot; rel=&quot;nofollow&quot;&gt;archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&amp;amp;i...&lt;/a&gt;&lt;/p&gt;</description>
			<pubDate>Thu, 09 Feb 2012 06:50:43 -0800</pubDate>
			                        <dc:date.Taken>2011-04-02T16:31:58-08:00</dc:date.Taken>
            			<author flickr:profile="http://www.flickr.com/people/lselibrary/">nobody@flickr.com (LSE Library)</author>
			<guid isPermaLink="false">tag:flickr.com,2004:/photo/6846616533</guid>
                            <media:content url="http://farm8.staticflickr.com/7037/6846616533_ec56b2a8be_b.jpg" 
                   type="image/jpeg"
                   height="816"
                   width="600"/>
    <media:title>London Boardmen</media:title>
    <media:description type="html">&lt;p&gt;From 'Street Life in London', 1877, by John Thomson and Adolphe Smith:&lt;br /&gt;
&lt;br /&gt;
“I had, for instance, an occasion of discussing with two boardmen who seemed worthy of a better position. The first had been trained as a smith, and engaged in the making of iron bedsteads. Now, however, smiths are no longer employed for this sort of work. It has been found more expedient and economical to make bedsteads with cast iron, and this change in the mode of manufacture threw many men out of employment, and notably my informant, who gradually sank to that state of misery when street life becomes the only means of existence. The other board man with whom I conversed was an old soldier, and had served nine years in the East Indies. He had shared in many glorious engagements, and was proud to relate that he had fought in Major-General Havelock's division at the relief of Lucknow. Probably his position in life would have been secured had he only received a good education; but he was not well enough read to occupy the post or undertake the business his friends were willing to offer him. He consequently dwindled down till he reached that point in life when anything that brings a few pence is heartily welcome. But the old soldier has still retained considerable energy. He is not content with carrying the boards during the day, but also seeks to make use of his evenings. He has, fortunately, often obtained a shilling a night at the Globe Theatre where he appeared as a supernumerary.”&lt;br /&gt;
&lt;br /&gt;
For the full story, and other photographs and commentaries, follow this link and click through to the PDF file at the bottom of the description&lt;br /&gt;
&lt;a href=&quot;http://archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&amp;amp;id=SR+1146&quot; rel=&quot;nofollow&quot;&gt;archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&amp;amp;i...&lt;/a&gt;&lt;/p&gt;</media:description>
    <media:thumbnail url="http://farm8.staticflickr.com/7037/6846616533_ec56b2a8be_s.jpg" height="75" width="75" />
    <media:credit role="photographer">LSE Library</media:credit>
    <media:category scheme="urn:flickr:tags">streetlifeinlondon boardman boardmen advertising sandwichboard</media:category>
		<creativeCommons:license>http://www.flickr.com/commons/usage/</creativeCommons:license>
		</item>
		<item>
			<title>The Wall Worker</title>
			<link>http://www.flickr.com/photos/lselibrary/6189266754/</link>
			<description>			&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/people/lselibrary/&quot;&gt;LSE Library&lt;/a&gt; posted a photo:&lt;/p&gt;
	
&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/photos/lselibrary/6189266754/&quot; title=&quot;The Wall Worker&quot;&gt;&lt;img src=&quot;http://farm7.staticflickr.com/6174/6189266754_cca4f161fe_m.jpg&quot; width=&quot;159&quot; height=&quot;240&quot; alt=&quot;The Wall Worker&quot; /&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;From 'Street Life in London', 1877, by John Thomson and Adolphe Smith.&lt;br /&gt;
&lt;br /&gt;
“…The&amp;quot; wall working&amp;quot; or fence working, described by Parker as a &amp;quot; fine property,&amp;quot; is a system of cheap advertising. Where a portion of a wall or fence, near some public thoroughfare, can be rented or obtained gratuitously, it is covered with an array of boards, which are hung up in the morning and taken in at night. In this instance, the boards covered with thin bills are supplied to Cannon [seated on the right], who hangs them up in the morning and receives about a shilling weekly for each board. But the number of boards afford no clue to the income derived from this mode of advertising, as an indefinite number of dummies are displayed to fill up vacant spaces. The dummies are carefully selected; the advertisements they carry must be as imposing as the names of their owners are respectable. Cannon assured me that it required tact and experience to manage this sort of property. Unfortunately the dummies have been dominant of late, owing to depression in all departments of trade. The result is that the&amp;quot; wall worker's &amp;quot; property produces a return so poor as hardly to repay the pains bestowed on its management.”&lt;br /&gt;
&lt;br /&gt;
For the full story, and other photographs and commentaries, follow this link and click through to the PDF file at the bottom of the description&lt;br /&gt;
&lt;a href=&quot;http://archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&amp;amp;id=SR+1146&quot; rel=&quot;nofollow&quot;&gt;archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&amp;amp;i...&lt;/a&gt;&lt;/p&gt;</description>
			<pubDate>Tue, 27 Sep 2011 08:37:23 -0700</pubDate>
			                        <dc:date.Taken>2011-04-02T16:46:46-08:00</dc:date.Taken>
            			<author flickr:profile="http://www.flickr.com/people/lselibrary/">nobody@flickr.com (LSE Library)</author>
			<guid isPermaLink="false">tag:flickr.com,2004:/photo/6189266754</guid>
                            <media:content url="http://farm7.staticflickr.com/6174/6189266754_cca4f161fe_b.jpg" 
                   type="image/jpeg"
                   height="905"
                   width="600"/>
    <media:title>The Wall Worker</media:title>
    <media:description type="html">&lt;p&gt;From 'Street Life in London', 1877, by John Thomson and Adolphe Smith.&lt;br /&gt;
&lt;br /&gt;
“…The&amp;quot; wall working&amp;quot; or fence working, described by Parker as a &amp;quot; fine property,&amp;quot; is a system of cheap advertising. Where a portion of a wall or fence, near some public thoroughfare, can be rented or obtained gratuitously, it is covered with an array of boards, which are hung up in the morning and taken in at night. In this instance, the boards covered with thin bills are supplied to Cannon [seated on the right], who hangs them up in the morning and receives about a shilling weekly for each board. But the number of boards afford no clue to the income derived from this mode of advertising, as an indefinite number of dummies are displayed to fill up vacant spaces. The dummies are carefully selected; the advertisements they carry must be as imposing as the names of their owners are respectable. Cannon assured me that it required tact and experience to manage this sort of property. Unfortunately the dummies have been dominant of late, owing to depression in all departments of trade. The result is that the&amp;quot; wall worker's &amp;quot; property produces a return so poor as hardly to repay the pains bestowed on its management.”&lt;br /&gt;
&lt;br /&gt;
For the full story, and other photographs and commentaries, follow this link and click through to the PDF file at the bottom of the description&lt;br /&gt;
&lt;a href=&quot;http://archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&amp;amp;id=SR+1146&quot; rel=&quot;nofollow&quot;&gt;archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&amp;amp;i...&lt;/a&gt;&lt;/p&gt;</media:description>
    <media:thumbnail url="http://farm7.staticflickr.com/6174/6189266754_cca4f161fe_s.jpg" height="75" width="75" />
    <media:credit role="photographer">LSE Library</media:credit>
    <media:category scheme="urn:flickr:tags">advertising streetlifeinlondon</media:category>
		<creativeCommons:license>http://www.flickr.com/commons/usage/</creativeCommons:license>
		</item>
		<item>
			<title>&quot;Tickets&quot; the Card-Dealer</title>
			<link>http://www.flickr.com/photos/lselibrary/6056577306/</link>
			<description>			&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/people/lselibrary/&quot;&gt;LSE Library&lt;/a&gt; posted a photo:&lt;/p&gt;
	
&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/photos/lselibrary/6056577306/&quot; title=&quot;&amp;quot;Tickets&amp;quot; the Card-Dealer&quot;&gt;&lt;img src=&quot;http://farm7.staticflickr.com/6208/6056577306_b765aca34a_m.jpg&quot; width=&quot;186&quot; height=&quot;240&quot; alt=&quot;&amp;quot;Tickets&amp;quot; the Card-Dealer&quot; /&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;From 'Street Life in London', 1877, by John Thomson and Adolphe Smith. This chapter tells of the life of a man nicknamed &amp;quot;Tickets&amp;quot;:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;About this time &amp;quot;Tickets&amp;quot; made the acquaintance of a Frenchman who possessed considerable skill as a sign-painter; and the two forthwith entered into partnership. The one paints, the other undertook to travel. &amp;quot;Tickets &amp;quot; is the traveller. From morning t ill night he wanders about, looking into the windows of small shops, till he discovers a ticket of dingy appearance, stained in colour, dog's eared, bent, and altogether disreputable. With eagle eye all these defects are discerned, and &amp;quot;Tickets&amp;quot; enters boldly into the shop, to press on the tradesman the advisability of purchasing a new ticket. He undertakes to supply a precise copy of the old and worn announcement on a better piece of cardboard, freshly painted, or, perhaps, more elaborately ornamented.&lt;br /&gt;
[…]&lt;br /&gt;
He hopes that the number of his customers will gradually increase, and that he will be able to save on his earnings. Then, like a true Frenchman, he will return to France, and purchase the goodwill of some small shop. In the meanwhile he observes the strictest economy. He never drinks. His bed costs him two shillings a week. His breakfast consists of cocoa and bread , and butter, the former being more nutritious than tea. For dinner he generally consumes a pennyworth of potatoes, with a herring or a haddock and a cup of tea, while his supper consists of bread and cheese to the value of twopence. I t is only on days of exceptional good fortune that he indulges in a little meat.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
For the full story, and other photographs and commentaries, follow this link and click through to the PDF file at the bottom of the description&lt;br /&gt;
&lt;a href=&quot;http://archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&amp;amp;id=SR+1146&quot; rel=&quot;nofollow&quot;&gt;archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&amp;amp;i...&lt;/a&gt;&lt;/p&gt;</description>
			<pubDate>Thu, 18 Aug 2011 09:42:54 -0700</pubDate>
			                        <dc:date.Taken>2011-04-02T16:47:51-08:00</dc:date.Taken>
            			<author flickr:profile="http://www.flickr.com/people/lselibrary/">nobody@flickr.com (LSE Library)</author>
			<guid isPermaLink="false">tag:flickr.com,2004:/photo/6056577306</guid>
                            <media:content url="http://farm7.staticflickr.com/6208/6056577306_b765aca34a_b.jpg" 
                   type="image/jpeg"
                   height="776"
                   width="600"/>
    <media:title>&quot;Tickets&quot; the Card-Dealer</media:title>
    <media:description type="html">&lt;p&gt;From 'Street Life in London', 1877, by John Thomson and Adolphe Smith. This chapter tells of the life of a man nicknamed &amp;quot;Tickets&amp;quot;:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;About this time &amp;quot;Tickets&amp;quot; made the acquaintance of a Frenchman who possessed considerable skill as a sign-painter; and the two forthwith entered into partnership. The one paints, the other undertook to travel. &amp;quot;Tickets &amp;quot; is the traveller. From morning t ill night he wanders about, looking into the windows of small shops, till he discovers a ticket of dingy appearance, stained in colour, dog's eared, bent, and altogether disreputable. With eagle eye all these defects are discerned, and &amp;quot;Tickets&amp;quot; enters boldly into the shop, to press on the tradesman the advisability of purchasing a new ticket. He undertakes to supply a precise copy of the old and worn announcement on a better piece of cardboard, freshly painted, or, perhaps, more elaborately ornamented.&lt;br /&gt;
[…]&lt;br /&gt;
He hopes that the number of his customers will gradually increase, and that he will be able to save on his earnings. Then, like a true Frenchman, he will return to France, and purchase the goodwill of some small shop. In the meanwhile he observes the strictest economy. He never drinks. His bed costs him two shillings a week. His breakfast consists of cocoa and bread , and butter, the former being more nutritious than tea. For dinner he generally consumes a pennyworth of potatoes, with a herring or a haddock and a cup of tea, while his supper consists of bread and cheese to the value of twopence. I t is only on days of exceptional good fortune that he indulges in a little meat.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
For the full story, and other photographs and commentaries, follow this link and click through to the PDF file at the bottom of the description&lt;br /&gt;
&lt;a href=&quot;http://archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&amp;amp;id=SR+1146&quot; rel=&quot;nofollow&quot;&gt;archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&amp;amp;i...&lt;/a&gt;&lt;/p&gt;</media:description>
    <media:thumbnail url="http://farm7.staticflickr.com/6208/6056577306_b765aca34a_s.jpg" height="75" width="75" />
    <media:credit role="photographer">LSE Library</media:credit>
    <media:category scheme="urn:flickr:tags">portrait man advertising signpainting streetlifeinlondon</media:category>
		<creativeCommons:license>http://www.flickr.com/commons/usage/</creativeCommons:license>
		</item>

	</channel>
</rss>