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		<title>Uploads from Marsel van Oosten, tagged oryx</title>
		<link>http://www.flickr.com/photos/squiver/tags/oryx/</link>
 		<description></description>
		<pubDate>Tue, 08 Mar 2011 05:30:34 -0800</pubDate>
		<lastBuildDate>Tue, 08 Mar 2011 05:30:34 -0800</lastBuildDate>
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			<title>Uploads from Marsel van Oosten, tagged oryx</title>
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			<title>Desert Choreography</title>
			<link>http://www.flickr.com/photos/squiver/5509311164/</link>
			<description>			&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/people/squiver/&quot;&gt;Marsel van Oosten&lt;/a&gt; posted a photo:&lt;/p&gt;
	
&lt;p&gt;&lt;a href=&quot;http://www.flickr.com/photos/squiver/5509311164/&quot; title=&quot;Desert Choreography&quot;&gt;&lt;img src=&quot;http://farm6.staticflickr.com/5257/5509311164_9758cff388_m.jpg&quot; width=&quot;240&quot; height=&quot;179&quot; alt=&quot;Desert Choreography&quot; /&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;http://images.nikonians.org/galleries/data/3365/NAM_20090601_0093_XL.jpg&quot; rel=&quot;nofollow&quot;&gt;Click here for large version&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
As a wildlife photographer we only have very limited influence on our subjects and the circumstances, and for me that is what makes it so addictive - you never know what you're going to get, and you keep wanting to go back for more and better.&lt;br /&gt;
&lt;br /&gt;
For most of the subjects that I shoot, I have the perfect image already inside my head, I just have to try to get it on camera. Knowing your subject and being at the right spot at the right time is part of the work, but unfortunately with wildlife you also have to be incredibly lucky.&lt;br /&gt;
&lt;br /&gt;
And lucky I was when I was flying in a microlight over the giant red sand dunes of Sossusvlei during the Namibia Untamed tour. We were heading back to the lodge when I suddenly saw this small herd of oryx running right in front of us on a giant sand dune. I always have two bodies with a 24-70 and 70-200 when I'm in a microlight, because you simply cannot change lenses in an open airplane. I quickly grabbed the D3 with the 70-200 and shot a short burst before we had passed them. It was over in seconds. When I looked at the images back in our camp, I couldn't believe my eyes - the perfect choreography. I could have never previsualized an image like this, simply because it would seem absurd to think it would be possible.&lt;br /&gt;
&lt;br /&gt;
[Nikon D3, AF-S VR 70-200/2.8, 1/3200 @ f/5.6, ISO 800, handheld]&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.squiver.com&quot; rel=&quot;nofollow&quot;&gt;Check out my website if you would like to join me on one of our photo tours and workshops&lt;/a&gt;&lt;/p&gt;</description>
			<pubDate>Tue, 08 Mar 2011 05:30:34 -0800</pubDate>
			                        <dc:date.Taken>2009-06-01T10:03:22-08:00</dc:date.Taken>
            			<author flickr:profile="http://www.flickr.com/people/squiver/">nobody@flickr.com (Marsel van Oosten)</author>
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    <media:title>Desert Choreography</media:title>
    <media:description type="html">&lt;p&gt;&lt;a href=&quot;http://images.nikonians.org/galleries/data/3365/NAM_20090601_0093_XL.jpg&quot; rel=&quot;nofollow&quot;&gt;Click here for large version&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
As a wildlife photographer we only have very limited influence on our subjects and the circumstances, and for me that is what makes it so addictive - you never know what you're going to get, and you keep wanting to go back for more and better.&lt;br /&gt;
&lt;br /&gt;
For most of the subjects that I shoot, I have the perfect image already inside my head, I just have to try to get it on camera. Knowing your subject and being at the right spot at the right time is part of the work, but unfortunately with wildlife you also have to be incredibly lucky.&lt;br /&gt;
&lt;br /&gt;
And lucky I was when I was flying in a microlight over the giant red sand dunes of Sossusvlei during the Namibia Untamed tour. We were heading back to the lodge when I suddenly saw this small herd of oryx running right in front of us on a giant sand dune. I always have two bodies with a 24-70 and 70-200 when I'm in a microlight, because you simply cannot change lenses in an open airplane. I quickly grabbed the D3 with the 70-200 and shot a short burst before we had passed them. It was over in seconds. When I looked at the images back in our camp, I couldn't believe my eyes - the perfect choreography. I could have never previsualized an image like this, simply because it would seem absurd to think it would be possible.&lt;br /&gt;
&lt;br /&gt;
[Nikon D3, AF-S VR 70-200/2.8, 1/3200 @ f/5.6, ISO 800, handheld]&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.squiver.com&quot; rel=&quot;nofollow&quot;&gt;Check out my website if you would like to join me on one of our photo tours and workshops&lt;/a&gt;&lt;/p&gt;</media:description>
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    <media:credit role="photographer">Marsel van Oosten</media:credit>
    <media:category scheme="urn:flickr:tags">africa red sand dune running namibia oryx sossusvlei gemsbok marselvanoosten squiver namibiauntamed</media:category>
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