http://www.flickr.com/photos/andreroseta/ Sat, 11 May 2013 16:07:35 -0700 Sat, 11 May 2013 16:07:35 -0700 http://www.flickr.com/ http://farm5.staticflickr.com/4128/buddyicons/54766608@N02.jpg?1287958414#54766608@N02 http://www.flickr.com/photos/andreroseta/ http://www.flickr.com/photos/andreroseta/8729134777/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8729134777/" title="Shunsuke Kimura &amp; Etsuro Ono (Japan)"><img src="http://farm8.staticflickr.com/7456/8729134777_9efc7794fc_m.jpg" width="240" height="160" alt="Shunsuke Kimura &amp; Etsuro Ono (Japan)" /></a></p> <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> Sat, 11 May 2013 16:07:35 -0700 2013-05-11T19:40:50-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8729134777 50.83823 4.362366 50.83823 4.362366 971706 Shunsuke Kimura & Etsuro Ono (Japan) <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> andreroseta music japan canon folk live traditional 7d ono kimura shunsuke 2013 etsuro muziekpublique http://www.flickr.com/photos/andreroseta/8730250182/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8730250182/" title="Shunsuke Kimura &amp; Etsuro Ono (Japan)"><img src="http://farm8.staticflickr.com/7355/8730250182_c9651302cb_m.jpg" width="240" height="160" alt="Shunsuke Kimura &amp; Etsuro Ono (Japan)" /></a></p> <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> Sat, 11 May 2013 16:07:37 -0700 2013-05-11T19:43:36-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8730250182 50.83823 4.362366 50.83823 4.362366 971706 Shunsuke Kimura & Etsuro Ono (Japan) <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> andreroseta music japan canon folk live traditional 7d ono kimura shunsuke 2013 etsuro muziekpublique http://www.flickr.com/photos/andreroseta/8729121907/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8729121907/" title="Shunsuke Kimura &amp; Etsuro Ono (Japan)"><img src="http://farm8.staticflickr.com/7347/8729121907_deb217266b_m.jpg" width="160" height="240" alt="Shunsuke Kimura &amp; Etsuro Ono (Japan)" /></a></p> <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> Sat, 11 May 2013 16:07:40 -0700 2013-05-11T20:01:36-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8729121907 50.83823 4.362366 50.83823 4.362366 971706 Shunsuke Kimura & Etsuro Ono (Japan) <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> andreroseta music japan canon folk live traditional 7d ono kimura shunsuke 2013 etsuro muziekpublique http://www.flickr.com/photos/andreroseta/8729141203/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8729141203/" title="Shunsuke Kimura &amp; Etsuro Ono (Japan)"><img src="http://farm8.staticflickr.com/7322/8729141203_8ce5868e57_m.jpg" width="160" height="240" alt="Shunsuke Kimura &amp; Etsuro Ono (Japan)" /></a></p> <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> Sat, 11 May 2013 16:07:33 -0700 2013-05-11T19:30:25-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8729141203 50.83823 4.362366 50.83823 4.362366 971706 Shunsuke Kimura & Etsuro Ono (Japan) <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> andreroseta music japan canon folk live traditional 7d ono kimura shunsuke 2013 etsuro muziekpublique http://www.flickr.com/photos/andreroseta/8730251590/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8730251590/" title="Shunsuke Kimura &amp; Etsuro Ono (Japan)"><img src="http://farm8.staticflickr.com/7416/8730251590_78bce5ca36_m.jpg" width="160" height="240" alt="Shunsuke Kimura &amp; Etsuro Ono (Japan)" /></a></p> <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> Sat, 11 May 2013 16:07:36 -0700 2013-05-11T19:42:38-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8730251590 50.83823 4.362366 50.83823 4.362366 971706 Shunsuke Kimura & Etsuro Ono (Japan) <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> andreroseta music japan canon folk live traditional 7d ono kimura shunsuke 2013 etsuro muziekpublique http://www.flickr.com/photos/andreroseta/8730244398/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8730244398/" title="Shunsuke Kimura &amp; Etsuro Ono (Japan)"><img src="http://farm8.staticflickr.com/7454/8730244398_ebd0675fac_m.jpg" width="240" height="160" alt="Shunsuke Kimura &amp; Etsuro Ono (Japan)" /></a></p> <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> Sat, 11 May 2013 16:07:39 -0700 2013-05-11T20:00:23-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8730244398 50.83823 4.362366 50.83823 4.362366 971706 Shunsuke Kimura & Etsuro Ono (Japan) <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> andreroseta music japan canon folk live traditional 7d ono kimura shunsuke 2013 etsuro muziekpublique http://www.flickr.com/photos/andreroseta/8730257612/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8730257612/" title="Shunsuke Kimura &amp; Etsuro Ono (Japan)"><img src="http://farm8.staticflickr.com/7435/8730257612_cd2584bd6b_m.jpg" width="240" height="160" alt="Shunsuke Kimura &amp; Etsuro Ono (Japan)" /></a></p> <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> Sat, 11 May 2013 16:07:34 -0700 2013-05-11T19:39:05-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8730257612 50.83823 4.362366 50.83823 4.362366 971706 Shunsuke Kimura & Etsuro Ono (Japan) <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> andreroseta music japan canon folk live traditional 7d ono kimura shunsuke 2013 etsuro muziekpublique http://www.flickr.com/photos/andreroseta/8729132859/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8729132859/" title="Shunsuke Kimura &amp; Etsuro Ono (Japan)"><img src="http://farm8.staticflickr.com/7347/8729132859_ccf233e49c_m.jpg" width="240" height="170" alt="Shunsuke Kimura &amp; Etsuro Ono (Japan)" /></a></p> <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> Sat, 11 May 2013 16:07:36 -0700 2013-05-11T19:41:56-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8729132859 50.83823 4.362366 50.83823 4.362366 971706 Shunsuke Kimura & Etsuro Ono (Japan) <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> andreroseta music japan canon folk live traditional 7d ono kimura shunsuke 2013 etsuro muziekpublique http://www.flickr.com/photos/andreroseta/8730248356/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8730248356/" title="Shunsuke Kimura &amp; Etsuro Ono (Japan)"><img src="http://farm8.staticflickr.com/7430/8730248356_f675cbfd99_m.jpg" width="240" height="160" alt="Shunsuke Kimura &amp; Etsuro Ono (Japan)" /></a></p> <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> Sat, 11 May 2013 16:07:38 -0700 2013-05-11T19:49:13-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8730248356 50.83823 4.362366 50.83823 4.362366 971706 Shunsuke Kimura & Etsuro Ono (Japan) <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> andreroseta music japan canon folk live traditional 7d ono kimura shunsuke 2013 etsuro muziekpublique http://www.flickr.com/photos/andreroseta/8730259974/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8730259974/" title="Shunsuke Kimura &amp; Etsuro Ono (Japan)"><img src="http://farm8.staticflickr.com/7311/8730259974_1bf32a9482_m.jpg" width="240" height="160" alt="Shunsuke Kimura &amp; Etsuro Ono (Japan)" /></a></p> <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> Sat, 11 May 2013 16:07:33 -0700 2013-05-11T19:31:23-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8730259974 50.83823 4.362366 50.83823 4.362366 971706 Shunsuke Kimura & Etsuro Ono (Japan) <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> andreroseta music japan canon folk live traditional 7d ono kimura shunsuke 2013 etsuro muziekpublique http://www.flickr.com/photos/andreroseta/8729125693/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8729125693/" title="Shunsuke Kimura &amp; Etsuro Ono (Japan)"><img src="http://farm8.staticflickr.com/7293/8729125693_28759ef3ff_m.jpg" width="240" height="152" alt="Shunsuke Kimura &amp; Etsuro Ono (Japan)" /></a></p> <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> Sat, 11 May 2013 16:07:39 -0700 2013-05-11T19:59:29-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8729125693 50.83823 4.362366 50.83823 4.362366 971706 Shunsuke Kimura & Etsuro Ono (Japan) <p>The Tsugaru-Shamisen is the instrument to be honoured during this concert and we could describe it as Nippon banjo. Originally it was mainly played by blind beggars in the North of Japan, but later used as a backing instrument for folk singers. Today it has become popular amongst a younger population who has made it the backbone of a fascinating new music. The tsugaru-shamisen has become a solo instrument with virtuoso techniques to show off the talent of the players, Shunsuke Kimura and Etsuro Ono are the new young talents.<br /> <br /> Shunsuke Kimura travelled his country from North to South to discover its melodies and rhythms. Etsuro Ono grew up in Akita, a region known for its fok music, before studying shamisen with Master Chisato Yamada. The duo’s music takes in the folk origins of the instrument and mixes them with inspirations inspired by nature. Together they take it in a contemporary direction with dynamic almost jazz like rhythms. The duo started playing in 2009 and since then has played on many international stages and still play many, notably the Rainforest World Music Festival in Borneo, from Rasa to Utrecht, Womad UK and the FMM in Portugal. In 2011 and 2012, they added some more stages to their CV including: Womex, the Forde Folk Music Festival (Norway), Les Suds de Arles (France) and the Masala Festival (Germany)...</p> andreroseta music japan canon folk live traditional 7d ono kimura shunsuke 2013 etsuro muziekpublique http://www.flickr.com/photos/andreroseta/8726454517/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8726454517/" title="Rainbow Brussels"><img src="http://farm8.staticflickr.com/7382/8726454517_4fd1a7b4f0_m.jpg" width="157" height="240" alt="Rainbow Brussels" /></a></p> <p>when the sun shines and the rainbow flourishes Brussels becomes suprisingly... beautiful.</p> Fri, 10 May 2013 16:44:27 -0700 2013-05-08T19:09:16-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8726454517 50.847301 4.382202 50.847301 4.382202 977217 Rainbow Brussels <p>when the sun shines and the rainbow flourishes Brussels becomes suprisingly... beautiful.</p> andreroseta trees brussels sun green canon rainbow belgium bruxelles 7d 2013 http://www.flickr.com/photos/andreroseta/8675613993/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8675613993/" title="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique"><img src="http://farm9.staticflickr.com/8388/8675613993_437f9e1ab0_m.jpg" width="240" height="176" alt="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique" /></a></p> <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> Tue, 23 Apr 2013 15:17:13 -0700 2013-04-20T21:07:10-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8675613993 50.83823 4.362366 50.83823 4.362366 971706 Osuna and Ayarkhaan on a Transiberian night at Muziekpublique <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> andreroseta b music canon live | yakutia osuna transiberian 2013 muziekpublique ayarkhaan http://www.flickr.com/photos/andreroseta/8676751594/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8676751594/" title="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique"><img src="http://farm9.staticflickr.com/8263/8676751594_bedb828cbe_m.jpg" width="160" height="240" alt="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique" /></a></p> <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> Tue, 23 Apr 2013 15:17:06 -0700 2013-04-20T19:47:32-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8676751594 50.83823 4.362366 50.83823 4.362366 971706 Osuna and Ayarkhaan on a Transiberian night at Muziekpublique <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> andreroseta b music canon live | yakutia osuna transiberian 2013 muziekpublique ayarkhaan http://www.flickr.com/photos/andreroseta/8676751014/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8676751014/" title="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique"><img src="http://farm9.staticflickr.com/8390/8676751014_1aec773ccd_m.jpg" width="160" height="240" alt="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique" /></a></p> <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> Tue, 23 Apr 2013 15:17:08 -0700 2013-04-20T21:31:16-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8676751014 50.83823 4.362366 50.83823 4.362366 971706 Osuna and Ayarkhaan on a Transiberian night at Muziekpublique <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> andreroseta b music canon live | yakutia osuna transiberian 2013 muziekpublique ayarkhaan http://www.flickr.com/photos/andreroseta/8675607883/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8675607883/" title="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique"><img src="http://farm9.staticflickr.com/8544/8675607883_145a931428_m.jpg" width="240" height="160" alt="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique" /></a></p> <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> Tue, 23 Apr 2013 15:17:15 -0700 2013-04-20T21:06:14-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8675607883 50.83823 4.362366 50.83823 4.362366 971706 Osuna and Ayarkhaan on a Transiberian night at Muziekpublique <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> andreroseta b music canon live | yakutia osuna transiberian 2013 muziekpublique ayarkhaan http://www.flickr.com/photos/andreroseta/8676721496/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8676721496/" title="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique"><img src="http://farm9.staticflickr.com/8540/8676721496_e469f59b52_m.jpg" width="240" height="222" alt="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique" /></a></p> <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> Tue, 23 Apr 2013 15:17:10 -0700 2013-04-20T21:28:20-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8676721496 50.83823 4.362366 50.83823 4.362366 971706 Osuna and Ayarkhaan on a Transiberian night at Muziekpublique <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> andreroseta b music canon live | yakutia osuna transiberian 2013 muziekpublique ayarkhaan http://www.flickr.com/photos/andreroseta/8676722678/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8676722678/" title="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique"><img src="http://farm9.staticflickr.com/8256/8676722678_698561c40f_m.jpg" width="160" height="240" alt="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique" /></a></p> <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> Tue, 23 Apr 2013 15:17:09 -0700 2013-04-20T21:29:04-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8676722678 50.83823 4.362366 50.83823 4.362366 971706 Osuna and Ayarkhaan on a Transiberian night at Muziekpublique <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> andreroseta b music canon live | yakutia osuna transiberian 2013 muziekpublique ayarkhaan http://www.flickr.com/photos/andreroseta/8676751280/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8676751280/" title="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique"><img src="http://farm9.staticflickr.com/8387/8676751280_7d78c2e592_m.jpg" width="240" height="164" alt="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique" /></a></p> <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> Tue, 23 Apr 2013 15:17:07 -0700 2013-04-20T21:31:34-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8676751280 50.83823 4.362366 50.83823 4.362366 971706 Osuna and Ayarkhaan on a Transiberian night at Muziekpublique <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> andreroseta b music canon live | yakutia osuna transiberian 2013 muziekpublique ayarkhaan http://www.flickr.com/photos/andreroseta/8675614529/ <p><a href="http://www.flickr.com/people/andreroseta/">andreroseta</a> posted a photo:</p> <p><a href="http://www.flickr.com/photos/andreroseta/8675614529/" title="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique"><img src="http://farm9.staticflickr.com/8388/8675614529_144d8ba726_m.jpg" width="240" height="160" alt="Osuna and Ayarkhaan on a Transiberian night at Muziekpublique" /></a></p> <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> Tue, 23 Apr 2013 15:17:12 -0700 2013-04-20T21:10:08-08:00 nobody@flickr.com (andreroseta) tag:flickr.com,2004:/photo/8675614529 50.83823 4.362366 50.83823 4.362366 971706 Osuna and Ayarkhaan on a Transiberian night at Muziekpublique <p>Two very surprising groups are on the programme of this evening of Siberian music. Osuna is a Belgian project mixing strings from Anatolia with those of the South of Siberia, in the form of ancient violins. You will see some saz, tambur, Siberian harps (khakas chatkhan) and viols. Osuna transports us to the Steppes of Central Asia by subtle use of overtone singing. Out come strains of medieval ballads, Nordic chanting, and weaves of improvised music, creating bridges between Anatolia and meridional Siberia, past and present. The Turkish strings of the saz and tanbur blend in with those of the Siberian harps (chatkhan) and medieval fiddles creating a hybrid silky texture. Balkan asymmetrical rhythms, Tuva throat singing, Turkish minstrels and ancient ballads are the themes touched upon by the group. Whether it is in a traditional style fashion or in pure improvisation.<br /> <br /> Raphael Decock (khakas, chatkhan, vocals) <br /> Emre Gültekin (saz, tanbur, vocals) <br /> Thomas Baeté (violin)<br /> <br /> If there is one concert which will hold your attention this year, then it is surely Ayarkhaan. You must be daring to want to discover this group, and even more daring to turn others onto it. Siberian tradition is the antipode of what our most alternative radio stations dare play at the moment. Yet indescribable beauty emanates from these 3 young women and their voices. Their only accompaniment is the guimbarde, this jews harp whose sound reminds us strangely of feminine voices and which brings rhythm to traditional songs. This musical culture is proper to Shamanism and is eternally linked to nature and the elements that inspire it; it induces spiritual trance. We are pleased to have this on the programme and strongly urge you to experience it, one thing is certain, these three beauties from the Oriental North will make an impression on you.<br /> <br /> Albina Degtyareva (khomus, vocals) <br /> Varvara Stepanova (khomus, vocals) <br /> Alisa Savvinova (khomus, vocals)</p> andreroseta b music canon live | yakutia osuna transiberian 2013 muziekpublique ayarkhaan